{"id":5867,"date":"2021-07-26T14:21:54","date_gmt":"2021-07-26T12:21:54","guid":{"rendered":"https:\/\/kalvfestival.se\/wp\/konserter\/sondag-12-00-gageego-fran-kinna-till-tibet\/"},"modified":"2022-05-12T12:10:17","modified_gmt":"2022-05-12T10:10:17","slug":"sondag-12-00-gageego-fran-kinna-till-tibet","status":"publish","type":"portfolio","link":"https:\/\/kalvfestival.se\/wp\/en\/konserter\/sondag-12-00-gageego-fran-kinna-till-tibet\/","title":{"rendered":"SUNDAY 12.00 : Gageego! | From Kinna to Tibet"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content” css=”.vc_custom_1627301720852{background-image: url(https:\/\/kalvfestival.se\/wp\/wp-content\/uploads\/2021\/07\/Gageego1.jpg?id=5708) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”540″][\/vc_column][\/vc_row][vc_row equal_height=”yes”][vc_column width=”3\/12″ css=”.vc_custom_1588091104491{background-color: rgba(153,0,17,0.21) !important;*background-color: rgb(153,0,17) !important;}” offset=”vc_col-xs-12″][vc_empty_space height=”64px” el_class=”hidden-xs”][vc_column_text]<\/p>\n

| EVENT:
\n<\/span><\/span>Concert \u00a0<\/em><\/span><\/h4>\n

|\u00a0<\/span>TIME:
\n<\/span><\/span>Sunday August 15,<\/em>\u00a0<\/span>12:00
\n<\/em><\/span>(admission \/ ticket sales 11:00)<\/em><\/h4>\n

| <\/span>VENUE:
\n<\/span><\/span>Kalv Church<\/em><\/span><\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”7\/12″][vc_empty_space height=”64px”][vc_custom_heading text=”Gageego! | From Kinna to Tibet” use_theme_fonts=”yes”][vc_column_text]Giacinto Scelsi<\/span><\/span><\/strong>\u00a0–\u00a0<\/span>Ko Lho<\/span><\/i>\u00a0<\/span>(for flute and clarinet)<\/span><\/p>\n

Anders Eliasson<\/span><\/span><\/strong>\u00a0–\u00a0<\/span>Disegno<\/span><\/i>\u00a0(fo<\/span>r solo flute)<\/span><\/p>\n

Henrik <\/span>Denerin<\/span><\/span><\/strong>\u00a0–\u00a0<\/span>Fluchtlinien D<\/span><\/i>\u00a0(f<\/span>or flute and percussion)<\/span><\/p>\n

Vladimir <\/span>Gorlinsky<\/span><\/span><\/strong>\u00a0–\u00a0<\/span>Bramputapsel #2<\/span><\/i>\u00a0(fo<\/span>r bass flute and bass clarinet)<\/span><\/p>\n

Madeleine Jonsson-Gille<\/span><\/span><\/strong>\u00a0–\u00a0<\/span>Skulptur <\/span><\/i>[world premiere]<\/span>\u00a0(f<\/span>or percussion)<\/span><\/p>\n

Henrik <\/span>Denerin<\/span><\/span><\/strong>\u00a0–\u00a0<\/span>Totenkopf<\/span><\/i>\u00a0(fo<\/span>r piccolo och Eb clarinet)<\/span><\/p>\n

 <\/p>\n

The <\/span>K<\/span>al<\/span>v<\/span> Festival 2021 ends in the church by the Gothenburg-based ensemble <\/span>Gageego<\/span>!<\/span> in a program that brings together a music that in miniature summarizes what we have received during this year’s festival: the local sounds in the <\/span>Kinna<\/span> composer Henrik <\/span>Denerin’s<\/span> two works, the archaic in Giacinto <\/span>Scelsi’s<\/span> theosophically inspired universe, the nature romantic in Anders Eliasson’s music,<\/span> the complex, friction-dense frenzy in Vladimir <\/span>Gorlinsky’s<\/span> sounds and finally Madeleine Jonsson-Gilles’ musically interpreted sculpture.<\/span> Participa<\/span>ting<\/span> from the ensemble <\/span>Gageego<\/span>!<\/span> today <\/span>is <\/span>the flutist Anders <\/span>Jonh\u00e4ll<\/span>, the clarinetist Ragnar Arnberg and the percussionist Jonas Larsson.<\/span><\/span><\/span><\/p>\n

 <\/p>\n

Fluchtlinien D <\/span><\/b>–\u00a0\u201dWith this concept Deleuze and <\/span>Guattari<\/span> points at possible alternatives to the dominating approach. One example is how the music sends out lines of flight (<\/span>fluchtlinien<\/span>) when it multiplies and spreads like a diverse weed of sound. <\/span>Fluchtlininen<\/span> thus indicates the potential for something different to take shape, for example, the opportunity of re-thinking.<\/span><\/span>\u00a0<\/span>
<\/span>Every form of life \u2013 a body, a social group, an organism or even a concept \u2013 consists of links and connections. Genes come together to form cells; cells are collected to form tribes. The term \u2018human being\u2019 is an example of such an interconnection of reason, a certain type of body (white, male), speech, and so on. But every connection also allows a <\/span>fluchtlinie<\/span>; there is always the potential for genetic mutation. The definition of man as rational also enables a dispute about what constitutes humanity: e.g., is it rational to put up a stock of nuclear weapons? Thus, every definition <\/span>wears<\/span>, every <\/span>territorialisationtorium<\/span> or body, the opportunities that opens up for a <\/span>fluchtlinie<\/span> that could turn it into something else.<\/span><\/span><\/span>\u201d<\/span>
\n<\/span>– Henrik Denerin<\/span>\u00a0<\/span><\/p>\n

Bramputapsel #2 <\/span><\/b>– Since<\/span> several years, <\/span>Gorlinsky’s<\/span> music has become more and more <\/span>situation-oriented<\/span>.<\/span> Musicians are often given different tasks or placements from which a musical material emerges – musical theater in a progressive sense grows ever stronger in <\/span>Gorlinsky’s<\/span> poetics.<\/span> Tonight’s <\/span><\/span>Bramputapsel<\/span> #2<\/span><\/span><\/strong> belongs to an earlier phase of his music, but one where the improvisation as a basis is still strong.<\/span> Gorlinsky<\/span> himself writes about the duo that it is like a “[\u2026] memory of the summer of 2011\u2026. Improvisations with my friends in several strange places in Moscow”.<\/span> The title itself – <\/span>Bramputapsel<\/span> – you do not have to think much about.<\/span> It is merely an onomatopoeic supplement.<\/span> The listener may hear the sound in the work, but its meaning remains in <\/span>sound<\/span>.<\/span><\/span>\u00a0<\/span><\/span>\u00a0<\/span><\/span><\/p>\n

Totenkopf <\/span><\/b>– “<\/span>Whereas in the symbol destruction is idealized and the transfigured face of nature is fleetingly revealed in the light of redemption, in allegory the observer is confronted with the facies hippocratica (totenkopf) of history as a petrified primordial landscape. Everything about history that from the very beginning has been untimely, sorrowful, unsuccessful, is expressed in a face \u2013 or rather in a death\u2019s head.” (W. Benjamin)<\/span>\u00a0<\/span><\/p>\n

This piece started off as what could perhaps be labelled a \u2018transit piece\u2019 in the context of the cycle einbahnstra\u00dfe. This is even (somewhat naively) represented in the work by the transitions in register in the 2 instruments: the piccolo beginning with its very lowest note and always aiming upwards; and the other instrument\u2019s opposite route. But this allegorical transit is constantly unsuccessful; other material breaking through and piling themselves up and what could be simple becomes complex and fragmented.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

About Gageego!<\/span><\/b>\u00a0<\/span><\/p>\n

Gageego! was founded in 1995 and works to explore and make contemporary music more accessible. As one of the most important actors in the contemporary Swedish musical life, the ensemble is appreciated for interpreting today’s music at the highest technical and artistic level in a curious way. Gageego! is a regular guest at Gothenburg Concert Hall, where they have been collaborating for many years on a concert series for contemporary art music and have played all over Sweden as well as internationally.\u00a0<\/span>\u00a0<\/span><\/p>\n

When Gageego! once formed, a short allegory was written about their origin (and not least the choice of ensemble name). Even though the story has nothing to do with the Kalv Festival, there are still intersections that motivates its inclusion in this program book<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

The first word<\/span><\/b>\u00a0<\/span><\/p>\n

A long time ago, in ancient, prehistoric time, there was no language. Human vocalizations consisted of grunts, laughter, sneezes,\u202fand hiccups.<\/span><\/b>\u00a0<\/span><\/p>\n

In this age, a deeply spiritual and sensitive man lived his life in great frustration. One day, he felt the urge to undertake a long journey. He started to wander and walked for weeks without any specific\u202fdestination, but not once did he hesitate in his choice of roads or in his determination.\u202fAfter walking a long time, he came to a mountain, a crown among the world\u2019s mountains. It felt like a majestic revelation for him.<\/span>\u00a0<\/span><\/p>\n

All the difficulties he had encountered during his trip fizzled at the sight of this mammoth-like topographic phenomenon. He began to climb this mountain, without any supply of food and water, defying\u202fthe worst possible weather conditions. Still, his road to the top was a slow, terrible experience.<\/span>\u00a0<\/span><\/p>\n

In the end, with a deep breath and with his\u202fabsolute last powers, he pulled himself up on top of the highest point. There, perched on a small cliff, he collapsed. Laying\u202fthere, unconscious, he balanced\u202fbetween life and death for several days.<\/span>\u00a0<\/span><\/p>\n

Eventually, he woke up from his stupor. When he opened his eyes and slowly lifted his head, the most amazing sight greeted him. In every direction there was a cornucopia of pure beauty. Gently rolling hills with playful meandering streams as far as his eyes could reach. Colourful leaves in endless patterns decorated the view. He saw lakes, clear as crystal, rugged mountain ranges and green pastures. All this made him\u202ffeel cleansed and refreshed in both\u202fbody and mind, in the\u202fgreatest and deepest\u202fway. In this historic moment he opened his mouth, and in a moment of total freedom and fulfillment he shouted, completely unparalleled, uninhibited, out over the world:<\/span>
\n\u2013 GAGEEGO!<\/span>\u00a0<\/span><\/p>\n

Far below, a boy passed by, peered\u202fup\u202fcuriously and said:<\/span>
\n\u2013 What?<\/span>\u00a0<\/span><\/p>\n

He had pronounced the second word.<\/span>\u00a0<\/span>[\/vc_column_text][vc_separator border_width=”2″ el_width=”60″][vc_column_text]<\/p>\n

Photo \u00a9 Gageego!<\/h6>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/12″][vc_empty_space height=”96px” el_class=”hidden-xs”][vc_custom_heading text=”More info about the artist:” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes”][vc_separator color=”custom” accent_color=”#990011″][vc_column_text]gageego.se<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content” css=”.vc_custom_1627301720852{background-image: url(https:\/\/kalvfestival.se\/wp\/wp-content\/uploads\/2021\/07\/Gageego1.jpg?id=5708) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”540″][\/vc_column][\/vc_row][vc_row equal_height=”yes”][vc_column width=”3\/12″ css=”.vc_custom_1588091104491{background-color: rgba(153,0,17,0.21) !important;*background-color: rgb(153,0,17) !important;}” offset=”vc_col-xs-12″][vc_empty_space height=”64px” el_class=”hidden-xs”][vc_column_text] | EVENT: Concert \u00a0 |\u00a0TIME: Sunday August 15,\u00a012:00 (admission \/ ticket sales 11:00) | VENUE: Kalv Church [\/vc_column_text][\/vc_column][vc_column width=”7\/12″][vc_empty_space height=”64px”][vc_custom_heading text=”Gageego! | From Kinna to Tibet” use_theme_fonts=”yes”][vc_column_text]Giacinto Scelsi\u00a0–\u00a0Ko Lho\u00a0(for flute and clarinet) Anders…<\/p>\n","protected":false},"author":3,"featured_media":5709,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[64],"portfolio_tag":[],"class_list":["post-5867","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-archive-2021"],"acf":[],"_links":{"self":[{"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/portfolio\/5867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/comments?post=5867"}],"version-history":[{"count":6,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/portfolio\/5867\/revisions"}],"predecessor-version":[{"id":6056,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/portfolio\/5867\/revisions\/6056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/media\/5709"}],"wp:attachment":[{"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/media?parent=5867"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/portfolio_category?post=5867"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/kalvfestival.se\/wp\/en\/wp-json\/wp\/v2\/portfolio_tag?post=5867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}